Fine Art Digital Printing

Prices vary by paper and square inches printed

Fine Art Digital Printing | Madison, Wisconsin | JasonHouge.com

Collaboratively Made Fine Art Editions, Archival Pigment Photographs, Film Positives and Art Reproduction Prints.

Archival Pigment Photographs, Film Positives and Art Reproduction Prints.

Collaboratively produced digital prints for artists, photographers and screen printers. Proofing sessions offered and recommended for first time clients and all new printing runs.

Use the form to tell us about your needs and we’ll be in touch to discuss your projects and the solutions we have to fit your budget.
Estimates may take up to a day to process.

For Pricing and Paper Details:
See the tabs below



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Description

Specialized Printing of Archival Pigment Photographs, Screen Print Film Positives and Artist Prints.

Whether you’re a photographer, a painter, a screen printer or even a set designer, as an artist today you need fine quality and craftsmanship to take your work to the next level. We specialize in collaborating with artists, like you, to produce collectable Museum Quality Fine Art Prints.

Proofing Session

Our proofing service is available to all of our clients and we strongly recommend our first time clients schedule a session when placing an order. We offer this service to ensure the quality and calibration of your prints matches or exceeds your expectations. During your proofing session we’ll work together to find the right combination of edit and settings to produce your work. If you’re a film photographer, these sessions act as an equivalent to the steps you’ve often made in the darkroom to find the right exposure and developer times. Once we’ve determined what your work needs we can run editions at any time and the quality will always be the same.
Proofing Session Rate: Please see the Prices Tab above.

Archival Pigment or Gicleé Printing?

The term Gicleé was coined in the 1990’s as a means to describe the emerging form of fine-art printing using InkJet printer technology. At the time, these printers utilized dye-based inks that were prone to early fading and washing out when exposed to humidity and moisture. With the introduction of better technology in recent years, the term gicleé has fallen out of favor by most artists and collectors. However, it is still commonly used to refer to older prints and those made on equipment utilizing dye-based inks.

Jason Houge Studios uses the latest technology and pigment-based inks formulated for long-term archivability and enjoyment. The contemporary term most commonly used to describe a prints made with pigment inks is now “Archival Pigment Print.” These contemporary prints, are lightfast, will not wash out in water and have the added benefits of increased vibrancy and extreme color accuracy. For graphic artists and designers: our prints boast 99% Pantone color accuracy on most papers.

Printers

We use Epson Commercial Printers paired with UltraChrome HD pigment inks.

Certified Printer

We are a certified printer by Moab Paper.


Jason Houge Studios, LLC place picture
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David Tuttle profile pictureDavid Tuttle
15:21 21 Dec 23
Jason scanned a couple of older, larger format negatives and produced stunning digital images. A pleasure to work with and results that match! Highly recommended.
Christina Sutton profile pictureChristina Sutton
18:40 25 Aug 23
Jason was such a pleasure to work with! He was patient, listening to our printing needs and very professional explaining things clearly. The artwork being printed was very special and he showed great care and attention to detail throughout every step of the printing process. His paper selection alone sets him apart from the competition, the quality is top notch. Our prints came out with breathtaking color, as close to a color match that I have ever witnessed as an artist. Me and my collaborator will certainly be using his printing service for all our future projects!
Matthew Leitner profile pictureMatthew Leitner
15:50 30 Sep 22
I can't recommend Jason (Houge Studios) highly enough. He exceeded my highest expectations. Friendly and timely correspondence, very professional work, reasonable rates and consistent accommodation of my requests throughout the process. Thank you very, very much.
Marc Statz profile pictureMarc Statz
11:32 15 Apr 22
Jason is super personable and professional. Very knowledgeable in his craft. I would highly recommend him for your high end art printing needs and film developing.
Michael Kartje profile pictureMichael Kartje
22:08 14 Apr 22
I had a wonderful experience printing with Jason. He provided thoughtful, expert guidance throughout the entire process and I'm thrilled with the end result. Looking forward to working together in the future!
Ann KNol profile pictureAnn KNol
06:17 01 Apr 22
Jason is such a talented printer. I tried two other printers for a large panorama file and their results were so sad. Then Jason helped me set up the kind of file I needed and created such a beautiful richly detailed print. I took it straight in to be framed. I am thrilled!
Mary Ann LaPine profile pictureMary Ann LaPine
00:21 15 Oct 21
Jason was professional and friendly. He did a wonderful job covering our wedding. He took pics from many angles and of all our wedding including our guests. We would highly recommend Jason for any of your photography needs.
Steve & Mary Ann Schmidt

Prices

Prices subject to change. For discount information, please see the FAQs tab.
Below you’ll find our price list for some of the most common print sizes. For items marked (S) or (L), this indicates an option for paper sizes the image will be printed on (Small or Large, respectively.)
For items marked X, this indicates prints at this scale are unavailable on the paper listed.

All sizes listed are in inches. If you prefer metric, we are happy to accommodate you!

Please note, we do not print borderless. For the purposes of window matting and retaining the full image when framed, all prints are produced with white borders. If you wish to have this border trimmed off, please indicate this when requesting a quote or placing your order. Thank you!

Proofing Session

$125
For additional information, please see the FAQs tab above.

Print Pricing

RECTANGLELustre PaperMatte Paper
Print Size[Paper Size]Moab JuniperEpson Exhibition FiberHahnemühle Photo RagEpson Cold Press Bright
6×9[8.5×11]$20.26$20.39$20.81$20.07
8×10 (S)[8.5×11]$23.67$23.79$24.22$23.48
8×10 (L)[11×14]$26.29XXX
8×10 (L)[11×17]XX$26.42X
8×12[11×14]$28.39XXX
8×12[11×17]XX$28.52X
11×14[13×19]$36.62$35.37$37.37$35.18
12×18[17×22]$44.20$42.20$48.75$45.81
16×20[17×22]$61.63$59.63$62.38$59.45
20×24[24×26]$87.48$88.11$92.36X
20×30[24×34]$106.34$106.90$112.59X
22×33[24×35]$123.52$123.42$129.67X

 

SQUARELustre PaperMatte Paper
Print Size[Paper Size]Moab JuniperEpson Exhibition FiberHahnemühle Photo RagEpson Cold Press Bright
6×6[8.5×11]$17.90$18.03$18.45$17.71
8×8 (S)[8.5×11]$21.57$21.70$22.12$21.38
8×8 (L)[11×14]$24.20XXX
8×8 (L)[11×17]XX$24.32X
10×10 (S)[11×14]$28.92XXX
10×10 (S)[11×17]XX$29.04X
10×10 (L)[13×19]$29.54$28.29$30.29$28.10
12×12[13×19]$35.31$34.06$36.06$33.87
14×14[17×22]$45.38$43.38$46.13$43.19
15×15[17×22]$49.18$47.18$49.93$46.99
16×16[17×22]$53.24$51.24$53.99$51.05
18×18[24×22]$65.46$65.11$69.66X
20×20[24×24]$76.06$76.36$80.75X
22×22[24×24]$87.07$87.38$97.76X

Paper Details

Papers and Print Media

We print on a variety of media and maintain a limited in-house stock. Special sizes and materials may be considered on a case-by-case basis.

Click on the image to view texture and surface details.

Cold Press Papers. Top: Arches Aquarelle; Bottom: Epson Cold Press Bright
Top: Arches Aquarelle; Bottom: Epson Cold Press Bright
Matte: Cold Pressed (Textured)
  • Canson-Infinity Arches Aquarelle [Watercolor paper]
    310gsm / cotton fiber
    Optical Brighteners: NO
    Acid and Lignin Free: YES
    • One of our most luxurious options
    • Country of Origin: France
    • Widely recognized name in fine-art papers; true water color paper
    • Heavyweight (19.9 mil, 310 gsm)
    • Ultra Premium Quality Paper
    • Velvety soft, rich tones and deep blacks
    • Single Side
    • Bright White
    • Smooth Matte Finish
    • 100% Cotton fiber base
    • Excellent for digital art and photography

  • Epson Cold Press Bright
    340gsm / cotton fiber
    Optical Brighteners: YES
    Acid and Lignin Free: YES
    • Our Least Expensive Option
    • * Limited Sizes Available
    • Country of Origin: Italy
    • Heavyweight (21 mil, 340 gsm)
    • High Quality Paper
    • Single Side
    • Bright White
    • Textured Matte Finish (similar to watercolor paper)
    • 100% Cotton fiber base
    • Uses optical whiteners for deep blacks and bright whites
    • Excellent for digital art and photography

Hot Press Papers. Top: Arches BFK Rives; Middle: Hahnemühle Photo Rag; Bottom: Moab Entrada Bright
Top: Arches BFK Rives; Middle: Hahnemühle Photo Rag; Bottom: Moab Entrada Bright
Matte: Hot Press (Smooth)
  • Canson-Infinity Arches BFK Rives Pure White
    310 gsm / cotton fiber
    Optical Brighteners: NO
    Acid and Lignin Free: YES
    • One of our most luxurious options
    • Country of Origin: France
    • Widely recognized name in fine-art papers; True print-making / etching paper
    • Heavyweight (19.9 mil, 310 gsm)
    • Ultra Premium Quality Paper
    • Velvety soft, rich tones and deep blacks
    • Single Side
    • Bright White
    • Smooth Matte Finish
    • 100% Cotton fiber base
    • Excellent for digital art and photography

  • Hahnemühle Photo Rag
    308 gsm / cotton fiber
    Optical Brighteners: YES
    Acid and Lignin Free: YES
    • One of our most luxurious options
    • Country of Origin: Germany
    • Heavyweight (18.8 mil, 302 gsm)
    • Premium Quality Paper
    • Single Side
    • Bright White
    • Smooth Matte Finish
    • 100% Cotton fiber base
    • Excellent for digital art and photography

  • Moab Entrada Bright
    190gsm / cotton fiber
    Optical Brighteners: YES
    Acid and Lignin Free: YES
    • Country of Origin: USA
    • Middleweight (15.5 mil, 190 gsm)
    • High Quality Paper
    • Double Sided
    • Bright White
    • Smooth Matte Finish
    • 100% Cotton fiber base
    • Excellent for digital art and photography

Luster Papers. Top: Moab Juniper Bright; Bottom: Epson Exhibition Fiber
Top: Moab Juniper Bright; Bottom: Epson Exhibition Fiber
Lustre (Semi-Gloss)
  • Moab Juniper Baryta
    305 gsm / cotton fiber
    Optical Brighteners: NO
    Acid and Lignin Free: YES
    • Country of Origin: USA
    • Heavyweight (16 mil, 305 gsm)
    • Premium Quality Paper
    • Single Side
    • Bright White
    • Soft Gloss / Lustre Finish
    • 100% Cotton fiber base
    • A true baryta coating without optical whiteners offering a density similar to darkroom fiber paper resulting in a detailed print from shadow to highlight
    • Excellent for photography

  • Epson Exhibition Fiber
    325 gsm / Alpha Cellulose
    Optical Brighteners: YES
    Acid and Lignin Free: NO
    • Country of Origin: Switzerland
    • High Quality Paper
    • Heavyweight (13 mil, 325gsm)
    • Single Side
    • Bright White
    • Semi Gloss Finish
    • Wood fiber base
    • Uses optical whiteners to achieve a brightness of 111% and a whiteness of 147% under certain circumstances
    • Excellent for photography

Kozo Papers. Top: Awagami Kozo Thin White; Middle: Awagami Premium Unryu; Bottom: Moab with Awagami Moenkoli Washi Unryu 55
Top: Awagami Kozo Thin White; Middle: Awagami Premium Unryu; Bottom: Moab with Awagami Moenkoli Washi Unryu 55
Kozo (Japanese Mulberry)
  • Awagami Kozo Thin White
    70 gsm / Kozo
    Optical Brighteners: NO
    Acid and Lignin Free: YES
    • One of our most luxurious options
    • * Limited Sizes Available
    • Country of Origin: Japan
    • lightweight (6.3 mil, 70 gsm)
    • Ultra Premium Quality Paper
    • Single Side
    • Natural White
    • Translucent; Smooth Matte Finish
    • 100% Kozo (Mulberry) base
    • Excellent for special projects

  • Awagami Premium Unryu
    165 gsm / Kozo and Hemp
    Optical Brighteners: NO
    Acid and Lignin Free: YES
    • One of our most luxurious options
    • * Limited Sizes Available
    • Country of Origin: Japan
    • Middleweight (13.8 mil, 165 gsm)
    • Ultra Premium Quality Paper
    • Single Side
    • Natural White
    • Threaded Matte Finish
    • Kozo (Mulberry) and Hemp base
    • Excellent for special projects

  • Moab with Awagami Moenkoli Washi Unryu 55
    55 gsm / Kozo
    Optical Brighteners: NO
    Acid and Lignin Free: YES
    • One of our most luxurious options
    • * Limited Sizes Available
    • Country of Origin: Japan
    • Featherweight (5 mil, 55 gsm)
    • Ultra Premium Quality Paper
    • Single Side
    • Natural White
    • Translucent; Threaded Matte Finish
    • 100% Kozo (Mulberry) base
    • Excellent for special projects

Transparencies. Top: Gold-Up; Bottom: Arista OHP Film Transparency; BigJet 600: Not yet pictured.
Top: Gold-Up; Bottom: Arista OHP Film Transparency; BigJet 600: Not yet pictured.
Transparency
  • Gold-Up
    4 mil / Polyethylene
    Slight Milkiness, excellent blacks for screen print positives
    • Country of Origin: China
    • Light weight
    • Waterproof
    • Single Side
    • Deep Blacks
    • Excellent Contrast and Density
    • Great for Higher Contrast Digital Negatives
    • Superb Film Positives for:
      • Silk Screen (Serigraphy) Production
      • Large Color Transparencies

  • BigJet 600
    4.5 mil / Polyester
    Clear, sharp image definition, excellent for screen print positives and alt-process digital negatives
    • Country of Origin: Unknown
    • Light weight
    • Crystal Clear. The clearest option on the market.
    • Water Proof
    • Single Side
    • Excellent Contrast and Density
    • Great Digital Negatives and Film Positives for:
      • Silk Screen (Serigraphy) Production
      • Cyanotype Process
      • Platinum (Platinotype) Print Process
      • Virtually any Alternative Processes

    • Arista-II OHP Film Transparency
      7 mil / Polyester
      Slight milkiness, excellent for alt-process digital negatives
      • Country of Origin: Japan
      • Light weight
      • Water Resistant
      • Single Side
      • Good Contrast and Density
      • Great Digital Negatives and Film Positives for:
        • Cyanotype Process
        • Platinum (Platinotype) Print Process
        • Virtually any Alternative Processes

FAQs

How much is a Proofing Session and what can I expect?
Proofing Session: $125.
A proofing session typically runs about 1 to 2 hours. We use this time to get to know your and your work. We’ll discuss the differences between papers and how that choice impacts the print. We’ll also discuss how lighting and framing choices impact the look of your prints and what considerations you need to take into account.

We’ll inspect the work on our monitors to determine if the image is properly calibrated for flawless printing and if needed, we’ll make minor adjustments to refine your vision.

During this session we’ll also narrow in on 2 paper choices to print proofs on.The resulting proofs will be printed at 6×9 on your paper choices. These will be yours to take with you and to inspect in the various settings they may be displayed in.

We will often schedule a follow-up meeting to discuss and make any further adjustments before we commit to printing your art work.

Do you color correct before printing?
We offer this service as part of our Proofing Session. To eliminate the headache and frustration felt when your expectations aren’t met due to unsatisfactory prints, we strongly recommend scheduling a Proofing Session. Contact Us to schedule yours today.

Do you offer scanning, photo retouching and digital restoration services?
Yes! Learn more here: High Resolution Film Scans

Are you able to print on wood, aluminum, canvas, etc
Yes! We work with a variety of partners to provide these alternate print solutions. However, since these are not done in-house they may require additional time to fulfill. Use the form above to contact us for an estimate.

What dimensions can you print?
For works on paper, the smallest sheet of paper we can accommodate is 8.5×11, on that we are able to print images as small as a postage stamp. Our maximum size is limited to a maximum paper width of 24 inches. We are working to expand our capacity to offer wider paper sizes. If you are in need of prints wider than we can accommodate, we welcome you to sign up for our Dispatch to stay informed about when these sizes become available. If your need is immediate, we are happy to provide consultation and may be able to offer some recommendations.

Are you able to print borderless?
Depends. In most cases we recommend leaving at least a 1/2 inch border around the image for matting and framing purposes. This means the largest 35mm frame we are currently able to print is approximately 22x33in.

What is your turnaround time?
Depends on the size of your order, current workload and availability of any supplies needed. In many cases we are able to have your prints ready within a few days to a week.

Can you prioritize my order?
Yes. Priority orders are subject to a $100 fee.

Are there any discounts for printing?
Yes, producing editions (duplicates) of the same image at the same size on the same paper reduces our run time resulting in cost savings to you. Use the form above or Drop us an email and we’ll discuss your project and what solutions we have that fit your budget.

Will you guarantee my prints will meet my expectations?
Unless you book a proofing session, we cannot offer any guarantees.
Due to differences in paper surfaces and textures, how the ink lays on or soaks into the paper, even the type of lighting used to view a print will impact the experience a person has with it. A proofing session aims to address these kinds of issues before they come up. It’s our best effort to prevent costly print mistakes.

What is your return policy for prints?
Due to the nature of artwork and its inherent values, this is dealt with on a case-by-case basis. In most cases prints are sold as-is and no refunds will be made. Unless you’ve worked with us during a proofing session to perfect your print, we cannot offer any guarantees. In the very rare event a shipment of prints from us to you is damaged, we will ask you to provide images of the damage and may request you to return the order for us to inspect. If we deem the order is as intended no refund will be issued and we will charge you to return the prints back to you. If we deem the order was damaged due to carrier negligence, we will work with our shipping partners to remedy the situation. If the damage was caused by negligence on the receiver’s end to ensure the safety of the artwork once delivered we are unable to offer any solutions.

Please view our agreement regarding the shipping, handling, processing and possession of your Media. Additionally our Terms and Conditions may be found here. Terms and Conditions and Handling of Media Agreement is subject to change without notice.