Professional Proof Printing

$125.00

Professional Print Proofing: See your art on our papers Jason Houge Studios

No pre-processing. No unwanted edits, no brightening, un-cropped Fine Art Proof Printing.

Professional Print Proofing

Proof Prints made from your art on our papers.
Free Shipping

  • Select 4 papers you want to see your art or photos printed on.
  • Upload your image.
  • Add to cart and check out.

No preprocessing, no unwanted edits, adjustments or crops will be made.
Printed within the dimensions of 8×10 inches.

For details, see below

Description

Proof Prints of Your Art on Our Premium Papers

We get it, looking at somebody else’s picture on a particular paper is not the same as seeing yours on that paper. You need to see the details, how color the color displays, what happens in the shadows and feel the paper in your hands. We’re just like you, we need that too! Demo any of our papers. See and feel what happens to your art when it’s printed on a baryta surface, a cold pressed watercolor paper, a hot pressed etching paper or a Japanese washi.

Quick Look: Best Printing Results with Jason Houge Studios

Setting your files up for success can be difficult if you are unfamiliar with the software or what is needed to get the best experience.
Below are our minimum recommendations. If you need help editing for print, please see our post processing and digital retouching service.

Best Results: Proof Printing Without Edits or Cropping

When printing with us, we recommend the following for the best results:

  • File Type: .tif or .tiff
  • Color Space: AdobeRGB [Color] or Grey Gamma 2.2 [B&W]
  • Color Depth: 16 bit
  • Dimension: 10 inches [long side] minimum for proofs; otherwise dimensions should meet or exceed the largest prints you intend to make. We’ll resize as needed to meet the needs of our clients
  • ppi: 360ppi minimum
  • Do not add a white border
About our printers

We use Epson Commercial Printers paired with UltraChrome HD pigment inks. All papers are custom profiled for our printers to ensure unmatched quality.

Certified Printing and Fine Art Reproduction Partner

We are certified by Canson Infinity and Moab Paper for our premium quality and services.


Is Your Work Print Ready?

Prerequisites and Important File Information

We can and will print from a variety of file types and resolutions. See above for our recommendations to get the best results. The following information is intended to be a guide that result in a good print.

  • Files should be saved 300 dpi or higher.
  • Files need to be saved in a required file type and bit depth (see below).
  • Do Not include a white border in your image file. With it, we cannot print to your specifications.
  • Files should be dimensionally equal to or larger than the final print.
    We will scale your images to the desired size at the time of print.
  • Please note, we scale and charge based on the mathematical ratio. (A 35mm full frame photo cannot be printed 8×10 without significant cropping.) We’re working on a tool to help visualize this. It will be released once it is ready.

Color Profiles and Grayscale Profiles

We will print from files saved in the following profiles:
See FAQs tab for more details

  • .jpg, .jpeg, .tif, .tiff, .psd, .af
  • .pdf (for color separation only)
  • 8 bit and 16 bit P3
  • 8 bit and 16 bit sRGB
  • 8 bit and 16 bit AdobeRGB
  • 8 bit and 16 bit ProPhoto RGB
  • 8 bit and 16 bit Gray Gamma 2.2
  • 8 bit and 16 bit Gray Gamma 1.8
  • 8 bit and 16 bit Dot Grain 15%, 20%, 25%
Resolution

The matter of optimal digital image resolution is a complicated one. There are a variety of factors that impact resolution minimum requirements. The greatest factors include: substrate surface [e.g. matte paper, glossy paper, washi, aluminum, canvas] and viewing distance. With large scale prints viewing distance matters most because of the physical limitations of human vision.

The following are common resolutions we’ve encountered and how they may impact the final print.
ppi = pixels per inch | dpi = dots per inch | Digital images, as viewed on screen, are saved in ppi. Printed images, in physical form, are printed in dpi.

  • 72 ppi; Most commonly seen with photos made with a phone. May be limited to smaller print sizes, see FAQs tab.
  • 100 ppi; Most often seen in early digital art and photography. May be limited to smaller print sizes, see FAQs tab.
  • 300 ppi; Common advised minimum print resolution. Generally good outcome.
  • 600 ppi (or greater); May result in more defined details, offers greater range for scalability.

Need help getting your files ready?

Visit our post processing and RAW editing service for more details on how we can help.


Archival Pigment or Gicleé Printing – What’s the difference?

The term Gicleé was coined in the 1990’s as a means to describe the emerging form of fine-art printing using InkJet printer technology. At the time, these printers utilized dye-based inks that were prone to early fading and washing out when exposed to humidity and moisture. With the introduction of better technology in recent years, the term gicleé has fallen out of favor by most artists and collectors. However, it is still commonly used to refer to older prints and those made on equipment utilizing dye-based inks.

Jason Houge Studios uses the latest technology and pigment-based inks formulated for long-term archivability and enjoyment. The contemporary term most commonly used to describe a prints made with pigment inks is now “Archival Pigment Print.” These contemporary prints, are lightfast, will not wash out in water and have the added benefits of increased vibrancy and extreme color accuracy.


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Emma Hitzman
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Amazing service, amazing prints. Would recommend to any artist looking for a knowledgeable, skilled, professional to make prints.
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Alexa Wheeler
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Jason was professional from beginning to end of the project. He was able to work with my request for gallery installation photos from a different city, never having worked wiht me before, and on short notice. His photos were excellent and translated the art installation so well. I cannot recommend him enough.
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Renata L
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Jason Houge Studios provides exceptional service from start to finish. I hired Jason to help with digital art capture and professional printing of an original commissioned watercolor for a client of mine. I found Jason to be experienced, informative and patient -- producing an excellent end result my client loved in a swift manner. Highly recommend. - Renata | Perfect Patina
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laila salli
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Jason was very friendly and professional. He increases and improved some family photos. Beautiful job! Would highly recommend his services.9
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Lisa Kay Sperbeck
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So thrilled with our website and it's an honor to be able to feature some of Jason's amazing photography that tells our story purrrfectly!
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Hannah Bennett
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Very quick, accommodating, produces good work. Hire Jason! He's a great photographer and fun to talk to.
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Susan Miller
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Jason is not just a talented photographer; he is great to work with. He photographed my art and created beautiful prints. He takes such care with his work to ensure my art was transformed into affordable prints for my client. Thank you!
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Jenny Vorpagel
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Jason is a pleasure to work with and I'm happy I found him. Great communication, great work. He scanned some old negatives for me and I'm very happy with the digital photos I got back. Highly recommend!
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Pricing and Discounts

Print Pricing

Prices below offer general pricing for commonly printed sizes. We offer custom dimensions and sizes one a case by case basis. Some sizes and materials are special order only and may need additional considerations. Contact us to discuss your project. Prices subject to change without notice

Paper
Size
6x98x88x108x1210x1010x1511x1412x1212x1815x1516x2418x2720x2020x3024x2424x3630x3030x4036x5440x4040x60
Canson Papers$23.00$29.00$31.00$34.00$37.00$45.00$46.00$49.00$61.00$63.00$95.00$115.00$100.00$140.00$146.00$192.00$207.00$256.00$415.00$340.00$495.00
Canson Premium RC Paper$21.00$24.00$27.00$29.00$31.00$40.00$40.00$42.00$51.00$54.00$76.00$100.00$85.00$120.00$120.00$167.00$177.00$226.00$360.00$300.00$438.00
Hahnemühle
Photo Rag 308
$23.00$29.00$31.00$34.00$37.00$45.00$46.00$49.00$61.00$63.00$95.00$115.00$100.00$140.00
Epson Papers$23.00$28.00$31.00$33.00$34.00$44.00$45.00$45.00$58.00$58.00$93.00$115.00$92.00$135.00
Moab Papers$22.00$26.00$29.00$30.00$34.00$43.00$42.00$46.00$57.00$60.00$90.00$107.00$90.00$130.00$132.00$180.00$191.00$240.00$385.00$315.00$465.00
Arista II
Transparency
$21.00$24.00$27.00$29.00$31.00$40.00$40.00$42.00$50.00$54.00$76.00$100.00$85.00$120.00$120.00$167.00$177.00$226.00$360.00$300.00$438.00
BigJet
600 Trans
45¢ / sqr in45¢ / sqr in45¢ / sqr in45¢ / sqr in35¢ / sqr in35¢ / sqr in35¢ / sqr in20¢ / sqr in20¢ / sqr in20¢ / sqr in20¢ / sqr in$100.00$85.00$120.00$120.00$167.00$177.00$226.00
GoldUp
Transparency
45¢ / sqr in45¢ / sqr in45¢ / sqr in45¢ / sqr in35¢ / sqr in35¢ / sqr in35¢ / sqr in20¢ / sqr in20¢ / sqr in20¢ / sqr in20¢ / sqr in$95.00$80.00$135.00

Print Sizes and Margins

Dimensions listed are printed areas only, each print comes with a 1 or 2 inch white margin for safe handling and framing. All prints 24 x 24 inches and larger are special order only. All sizes listed are in inches. If you prefer metric, we are happy to accommodate. Please note, we do not print borderless. If you wish to have the white margin trimmed off, please indicate this when requesting a quote or placing your order.

Discounts: Bulk / Editions

We offer discounts on editions (duplicates) of the same image at the same size on the same paper. If you are intending to print larger quantities, Contact us and we’ll discuss your project and what solutions we have that fit your budget.

Discounts:
3-9 duplicate prints: 10%
10-19 duplicate prints: 15%
20+ duplicate prints: 20%

Only prints of the same image, at the same size on the same paper are eligible for discount.
Discounts do not apply to CoA or Maker’s Marks.


Paper Details

Papers and Print Media

We print on a variety of media and maintain a limited in-house stock. Special sizes and materials may be considered on a case-by-case basis.
Click on the image to view texture and surface details.

Cold Press Papers (Textured)
Top: Arches Aquarelle; Bottom: Epson Cold Press Bright
Matte: Cold Pressed (Textured)
  • Canson-Infinity Arches Aquarelle [Watercolor paper] 310gsm / cotton fiber Optical Brighteners: NO Acid and Lignin Free: YES
    • One of our most luxurious options
    • Country of Origin: France
    • Widely recognized name in fine-art papers; true water color paper
    • Heavyweight (19.9 mil, 310 gsm)
    • Ultra Premium Quality Paper
    • Velvety soft, rich tones and deep blacks
    • Single Side
    • Bright White
    • Smooth Matte Finish
    • 100% Cotton fiber base
    • Excellent for digital art and photography

  • Epson Cold Press Bright 340gsm / cotton fiber Optical Brighteners: YES Acid and Lignin Free: YES
    • Our Least Expensive Option
    • * Limited Sizes Available
    • Country of Origin: Italy
    • Heavyweight (21 mil, 340 gsm)
    • High Quality Paper
    • Single Side
    • Bright White
    • Textured Matte Finish (similar to watercolor paper)
    • 100% Cotton fiber base
    • Uses optical whiteners for deep blacks and bright whites
    • Excellent for digital art and photography

 


Hot Press Papers (Smooth)
Top: Arches BFK Rives; Middle: Hahnemühle Photo Rag; Bottom: Moab Entrada Bright
Matte: Hot Press (Smooth)
  • Canson-Infinity Arches BFK Rives Pure White 310 gsm / cotton fiber Optical Brighteners: NO Acid and Lignin Free: YES
    • One of our most luxurious options
    • Country of Origin: France
    • Widely recognized name in fine-art papers; True print-making / etching paper
    • Heavyweight (19.9 mil, 310 gsm)
    • Ultra Premium Quality Paper
    • Velvety soft, rich tones and deep blacks
    • Single Side
    • Bright White
    • Smooth Matte Finish
    • 100% Cotton fiber base
    • Excellent for digital art and photography

  • Hahnemühle Photo Rag 308 gsm / cotton fiber Optical Brighteners: YES Acid and Lignin Free: YES
    • One of our most luxurious options
    • Country of Origin: Germany
    • Heavyweight (18.8 mil, 302 gsm)
    • Premium Quality Paper
    • Single Side
    • Bright White
    • Smooth Matte Finish
    • 100% Cotton fiber base
    • Excellent for digital art and photography

  • Moab Entrada Bright 190gsm / cotton fiber Optical Brighteners: YES Acid and Lignin Free: YES
    • Country of Origin: USA
    • Middleweight (15.5 mil, 190 gsm)
    • High Quality Paper
    • Double Sided
    • Bright White
    • Smooth Matte Finish
    • 100% Cotton fiber base
    • Excellent for digital art and photography

 


Luster Fine Art Papers
Top: Moab Juniper Bright; Bottom: Epson Exhibition Fiber
Lustre (Semi-Gloss)
  • Moab Juniper Baryta 305 gsm / cotton fiber Optical Brighteners: NO Acid and Lignin Free: YES
    • Country of Origin: USA
    • Heavyweight (16 mil, 305 gsm)
    • Premium Quality Paper
    • Single Side
    • Bright White
    • Soft Gloss / Lustre Finish
    • 100% Cotton fiber base
    • A true baryta coating without optical whiteners offering a density similar to darkroom fiber paper resulting in a detailed print from shadow to highlight
    • Excellent for photography

  • Epson Exhibition Fiber 325 gsm / Alpha Cellulose Optical Brighteners: YES Acid and Lignin Free: NO
    • Country of Origin: Switzerland
    • High Quality Paper
    • Heavyweight (13 mil, 325gsm)
    • Single Side
    • Bright White
    • Semi Gloss Finish
    • Wood fiber base
    • Uses optical whiteners to achieve a brightness of 111% and a whiteness of 147% under certain circumstances
    • Excellent for photography

 


Japanese Kozo and Unryu Papers
Top: Awagami Kozo Thin White; Middle: Awagami Premium Unryu; Bottom: Moab with Awagami Moenkoli Washi Unryu 55
Kozo (Japanese Mulberry)
  • Awagami Kozo Thin White 70 gsm / Kozo Optical Brighteners: NO Acid and Lignin Free: YES
    • One of our most luxurious options
    • * Limited Sizes Available
    • Country of Origin: Japan
    • lightweight (6.3 mil, 70 gsm)
    • Ultra Premium Quality Paper
    • Single Side
    • Natural White
    • Translucent; Smooth Matte Finish
    • 100% Kozo (Mulberry) base
    • Excellent for special projects

  • Awagami Premium Unryu 165 gsm / Kozo and Hemp Optical Brighteners: NO Acid and Lignin Free: YES
    • One of our most luxurious options
    • * Limited Sizes Available
    • Country of Origin: Japan
    • Middleweight (13.8 mil, 165 gsm)
    • Ultra Premium Quality Paper
    • Single Side
    • Natural White
    • Threaded Matte Finish
    • Kozo (Mulberry) and Hemp base
    • Excellent for special projects

  • Moab with Awagami Moenkoli Washi Unryu 55 55 gsm / Kozo Optical Brighteners: NO Acid and Lignin Free: YES
    • One of our most luxurious options
    • * Limited Sizes Available
    • Country of Origin: Japan
    • Featherweight (5 mil, 55 gsm)
    • Ultra Premium Quality Paper
    • Single Side
    • Natural White
    • Translucent; Threaded Matte Finish
    • 100% Kozo (Mulberry) base
    • Excellent for special projects

 


Transparencies for Film Positives and Alt Process Printing; Jason Houge Studios
Top: Gold-Up; Bottom: Arista OHP Film Transparency; BigJet 600: Not yet pictured
Transparency
  • Gold-Up 4 mil / Polyethylene Slight Milkiness, excellent blacks for screen print positives
    • Country of Origin: China
    • Light weight
    • Waterproof
    • Single Side
    • Deep Blacks
    • Excellent Contrast and Density
    • Great for Higher Contrast Digital Negatives
    • Superb Film Positives for:
      • Silk Screen (Serigraphy) Production
      • Large Color Transparencies

  • BigJet 600 4.5 mil / Polyester Clear, sharp image definition, excellent for screen print positives and alt-process digital negatives
    • Country of Origin: Unknown
    • Light weight
    • Crystal Clear. The clearest option on the market.
    • Water Proof
    • Single Side
    • Excellent Contrast and Density
    • Great Digital Negatives and Film Positives for:
      • Silk Screen (Serigraphy) Production
      • Cyanotype Process
      • Platinum (Platinotype) Print Process
      • Virtually any Alternative Processes

  • Arista-II OHP Film Transparency 7 mil / Polyester Slight milkiness, excellent for alt-process digital negatives
    • Country of Origin: Japan
    • Light weight
    • Water Resistant
    • Single Side
    • Good Contrast and Density
    • Great Digital Negatives and Film Positives for:
      • Cyanotype Process
      • Platinum (Platinotype) Print Process
      • Virtually any Alternative Processes

 


Print Care

How to care for Archival Pigment Prints
  1. Do not touch the surface or the paper or canvas with bare hands, always wear gloves. The receptive surface is highly absorbent and can pick up grease stains that may appear after printing. The print out will definitely be damaged, without any possibility to erase or blur the stains.
  2. Avoid excessive mechanical stress on the paper.
  3. Do not store, frame or exhibit the printouts until the ink is completely dry. The time spans from a few hours for paper, to 24 hours for canvas.
  4. Storage and Protection:
    • For best results, frame behind UV protective Glass or Plexi.
    • For unframed work, store prints flat in a dedicated print box away from sun light, extreme temperature or humidity level as these can decrease the lightfastness of your print.
    • Do not store paint, varnish or solvent near your prints. Vapors from these chemicals will harm your print.
    • Only use specially designed acid free and archival proof adhesives or glues for any framing application. (ie.e D&K BufferMount)
    • If your matte print is not framed behind UV protective glass or plexi: consider applying 2-3 even coats of a high quality print fixative spray, like Moab Desert Varnish. Print fixative spray is not recommended for luster and gloss prints, as it will discolor or dull the print.2
  5. Handling:
    • Cotton gloves are strongly recommended.
    • Handle by the white margin only.
    • Do not touch or rub the printed surface. This leads to abrasion or burnishing, especially on matte surfaces, and cannot be repaired.
    • Interleave each print with acid free glassine paper or with a PE / PP slide.

2 Read more: Are All Print Fixative Sprays Created Equal?

 


FAQs

Turnaround Times

Most orders are ready within the week. Some orders take longer due to availability of supplies, scale of project and other factors that may not be foreseen. Prints must be given at least 24 hours to rest before delivery. This is manufacturer specified in order to allow the inks time to properly cure. Framing prior to this cure time may cause undesired effects weeks, months or even years later.

Do you “Preprocess” or apply brightening, boost the contrast, or sharpen before printing?

No. We may hold production on a print run to connect with you if we suspect something is off. We will never make any unapproved edits to you work. If your work must match an edition of prints created elsewhere, we will ask you to supply a print from that edition as reference.

What factors influence print results?

Resolution
As a general rule, the lower the ppi in a digital file, the lower the expected print quality will be. The higher the ppi, finer details can be expected in the resulting print.

However resolution is more than this, it is a relationship between the image ppi and area size. Lower ppi does not always mean a low quality print will be created as long as the area size is sufficient.

Contemporary phones boast some impressive camera specs (48mp Google Pixel 10 Pro and iPhone 18 Pro; 200MP Oppo Find X9), and nearly all of them save as 72 ppi. That low number does not necessarily equal an unsatisfactory print due to the inverse effects of scaling the area.

Viewing distance
One of the most important factors in determining the “best” resolution for print is the distance it will be viewed from. There is lots of research out there that discuss this, but it all boils down to one simple fact. The human eye is only so good at a given distance. Under most circumstances, an audience will not be examining the print from a few centimeters away, but will instead admire it from a meter or more away. As an extreme case in point, a roadside billboard may be printed as low as 12 dpi.

Other factors that impact image and print quality
Many factors will negatively impact the quality of an image, despite having a high megapixel camera or high resolution scan. These include: Digital zoom as opposed to optical zoom, cropping, poor quality lenses, dust and smudges on the lens or sensor, imaging technology and how sensitive they are in differentiating tone and colors (CCD vs CMOS), the light itself, and saving in “lossy” file types.

Do I need to pre size my picture or add a white border to ensure my dimensions are kept?

No. In fact we ask that you supply a master image larger or equal to the largest print you might order. We will rescale as needed to match any size needed. Adding a white border to your print will result in an image smaller than you expect.

What dimensions can you print?

Current Max Paper Limit: 24in in one direction. Current Max Print Limit: 22in in one direction.

Our papers come pre-cut to industry standard sizes [8.5×11 in, A4, 11×14 in, 11x17in, 13x19in (A3+), 17x19in and 24 inch rolls.] We print to the required dimension on these papers and will trim, if necessary.

Are you able to print borderless?

In most cases we recommend leaving at least a 1/2 inch border around the image for matting and framing purposes. This means the largest 2:3 ratio image (35mm frame) we are currently able to print is approximately 22x33in.
If an artist truly needs an image to bleed to the edge, common in some framing applications, the paper will need to be trimmed from its standard size to the image.

Will you guarantee my prints will meet my expectations?

Due to differences in paper surfaces and textures, how the ink lays on or soaks into the paper, even the type of lighting used to view a print will impact the experience a person has with it. Even the conditions under which the digital image is edited can impact the resulting print. Each of our papers is custom profiled for our printers to produce the most faithful color or black & white prints from any of the supported files and settings.

What is your return policy for prints?

Due to the nature of artwork and its inherent values, this is dealt with on a case-by-case basis. In most cases prints are sold as-is and no refunds will be made. Unless you’ve worked with our post-processing service to perfect your image for print, we cannot offer any guarantees. In the very rare event a shipment of prints from us is damaged, we will ask you to provide images of the damage and may request you to return the order for us to inspect. If we deem the order is as intended, no refund will be issued and we will charge you to return the prints back to you. If we deem the order was damaged due to carrier negligence we will work with our shipping partners to remedy the situation in the quickest possible turn around. If the damage was caused by negligence on the receiver’s end to ensure the safety of the artwork once delivered we are unable to offer any solutions.

‡ Paper Availability We stock most Canson-Infinity and Moab papers in house in addition to select Hahnemühle, Epson and Awagami Papers. Some papers are only available on a case-by-case basis by special order. Contact us for more information and to schedule a presentation of papers and surfaces. Special Orders are subject to at least 50% deposit upfront.


Please review our Terms and Conditions regarding the shipping, handling, processing and possession of your Media. Terms and Conditions and Handling of Media Agreement is subject to change without notice.